Showing posts with label ill-j. Show all posts
Showing posts with label ill-j. Show all posts

Monday, March 12, 2012

The Mighty Miscellaneous: Almost Done, Never Finished...

All photos courtesy of Isi Laureano

Every time I'm asked about our scene and artists to look out for, I find that The Mighty Miscellaneous remains on the top of my head.  I've followed this diverse group for awhile now, though at times, they seemed to be more suitably described as mysterious than miscellaneous.  Seldom did they have gigs, responses from members as to when their album would be done were often ambiguous, etc. I suppose part of the appeal may have been the unknown; but as a fan, I always yearned to hear more, see more, and experience more.  See, I'm sure music heads will feel me when I say that once I experience an artist's music - when I get in that zone - I am a fan for life.  Now, over a decade deep and with a great deal of growth and hard work, Misc is prepared to serve their fans and like their performance set-up, they are ready to get live.

In anticipation of their album titled "Almost Done" (pun intended), the crew launched their first single and video "CTRL+ALT+DEL" last February 29, 2012. Backed up by class acts and surrounded by their friends, fam and fans; Cubao X was The Mighty Misc' house and they brought it down.

Chillitees warming up the crowd
Chillitees started off the night with something old, something new, something borrowed, and something blues. From hits off their past albums like "Paikot Ikot" to their latest "Why" to freaked tracks like Bill Wither's "Use Me"; this Pinoy Soul band brought it like always.  So there may have been a few changes with respect to members (B Surge of Iconic on bass & Alay of Makopa on drums), but Uela Basco on vocals and Dan Gil on keys kept it essentially...well...Chillitees.  Good stuff.

ILL-J reppin' the Golden Era
To keep it moving and to set the mood for the Golden Era of Hip hop, ILL-J too, had a medley of his own.  With industry hits like Nas' "The World is Yours" to Mastaplann's "Way of The Plann" to a megamix of ILL-J w/ SVC and solo tip singles; he had the crowd nostalgic and at ease.  After giving props to those that paved the way like Francis M. in unreleased track "A King is Born", he had DJ D'Tech loop his music to bring on-board Aero & RJay of LDP for a brief freestyle sesh.  In effect, homage to past, present and future MCs.

Before Misc hit the stage, the crowd tuned in to the first viewing of their "CTRL+ALT+DEL" video directed by Syke.  I was unsure of whether I was going to mention this, but I figured it was a funny tidbit for the evening.  Initially, there were some technical difficulties on the system that was going to play the vid and Misc member C.Lo/Delphi broke the ice by saying "Well, that's a MAC. Can't CTRL+ALT+DEL that shit!"  After a minute or so, however, the program was back in business.  The video was a simple depiction in B&W of the ultra tight crew in what appeared to be their Misc Mobile, just doing their thing as usual and jammin' to their anthem.  It was very anti-glamour, but represented a lot more for true Hip hop heads.



Thereafter, their set opened with the heavy boom and bap of DJ Umph's MPC and you could almost feel everyone's chests thumping along to the beat. From there on out, the crowd was treated to a consistent mix of breakbeat, boom bap, and jazz fusion Misc music in the form of tracks like "One Step", "Lounge Logic", "Speech" and "Keep Rockin'".  Naturally, they closed it out with the evening's title track "CTRL+ALT+DEL", but a flipped version that induced collective cries of delight.



Who's house? It's The Mighty Miscellaneous' House!





If Miscellaneous' music was a celebration of Hip hop then Indie.Nial's DJ set at the end of the night was in keeping with the tone with a seamless mix of 90s East Coast gems. There's really not much more that needs to be said about his set beyond the fact that it was on-point.


Mr. Soulsonic, ILL-J & Rye giving Indie.Nial their stamp of approval


The CTRL+ALT+DEL single/video launch was a definitive high in Hip hop.  That night stood as a forecast on more highs to come in the musical journey of DJs Umph & D'Tech, Tibbz, C.Lo/Delphi and Switch - The Mighty Miscellaneous - specifically, the release of their full-length album.  A portion of their journey is "almost done", but I'm confident that we can expect a lot more from these guys who are innately and passionately Hip hop purveyors.  Thus, they are never finished, and that's great news for all of us fans.


Reminders:
-A 4-track EP will be released on www.themightymiscellaneous.blogspot.com within the next week or so
-Almost Done will be launched on June 15, 2012 (more details TBA)
-Gigs and other info can also be found on their blog or on www.lockeddownentertainment.blogspot.com




Monday, January 9, 2012

Play4Serve: LockedDown X Daily Grind Session

"...the sheer energy and delight that erupted between artists and audiences is what completed the magic of the night..."


Photo Credits: Isi Laureano
For Play4Serve (production of Sandwich & Imago)

You never know what to expect at a LockedDown gig. Or let me rephrase: you can expect great camaraderie and music from all walks of life, but any other expectations are truly that of positive ambiguity.  In other words, full of pleasant surprises.

That being said, the Play4Serve event at Escobar, CubaoX did not disappoint with its diverse lineup of artists and an appreciate, open-minded (and eared) crowd. Don't get me wrong, the initial reaction for those with rock preferences was to clear out whenever a hip hop artist came up.  However, when they would hear something unlike the commercially known sound, I would see rockers bobbin' their heads and rejoining the action. That, my friends, feels really good to watch and experience in 2012.

ILL-J and D'Tech

While the whole night was remarkably passionate in everyone's unique crafts, I thought I'd summarize my personal picks for the evening's highlights.

Firstly, it was a real treat to see ILL-J perform after a bit of a hiatus with DJ D'Tech (of The Mighty Miscellaneous) backing him up on past and present tracks.  Giving homage to Nas and Mastaplann then warming up the crowd with classic SVC single "My Homies" to his own "First Wifey" and "Feel Good"; his medley sparked up a little something for everyone. The crowd  definitely took a liking to unreleased track "A King is Born", which gave tribute to The King of Rap Francis M. and other Filipino heroes.

Secondly, and speaking of Filipino heroes: RAIMUND MARASIGAN. With Imago. With Pedicab. With Gaijin. Then my personal fave, with Sandwich.  Not to mention his jam session on Miscellaneous' set where he joined in on the boom and bap of DJ Umph's MPC. He is a rock legend, but here's a little trivia for ya: he's a huge Beastie Boys fan and he produced 1 of the first tracks for SVC when they chose to go independent for their All Natural album.  Not only is he well-versed in so many musical elements (drums, guitars, vocals, etc.), but also in so many genres (hip hop included).  Basically, I believe Mr. Marasigan's musical talents have the Midas touch, because everything he touches turns to gold. It was amazing seeing him display his multi-talents throughout the night.  That's passion right there.

Pedicab

Gaijin
Imago
The Mighty Miscellaneous x Raimund Marasigan

Sandwich bringin' down the house
Thirdly, The Mighty Miscellaneous kills it every time. I've never seen any flubs or lack of power in a Misc performance. What made the Play4Serve set different? As mentioned before, music vet Raimund Marasigan jammed with them (he actually rapped the CTRL+ALT+DEL hook on his sesh with Sandwich too), but the surprises didn't stop there! Member Tibbz, who we usually see playing the live instrumentals on his MPC, got back on the mic that night for a heavy, unforeseen verse. Factor all that into their solid foundation as a unique, live hip hop group, and there was no way this set would not end up on my list of highlights.

The Mighty Miscellaneous


Lastly, I can't really explain the feeling of discovering new talent.  Not that this group was new, per say, but new to my ears. Straight out of Baguio, came a bonus set from Sky Dive Academy.  With their big band + brass section blaring and intellectual rhymes coloring up the instrumentation, it's no wonder why Raimund Marasigan was so eager to have everyone listen to this crew. Big ups!




It was the sheer energy and delight that erupted between artists and audiences that completed the magic of the night. The Play4Serve: LockedDown x Daily Grind Session was just what I needed after the Christmas-New Year break, which sort of put music in the backseat for me.  Regardless of how present music was in each individual's lives, though, it seemed like they all needed it too.

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Wednesday, November 23, 2011

If You Don't Know, Now You Know...

Growing up, I always used to feel like I could rightfully call myself an artist's "biggest fan" when I not only knew their music, but also little tidbits about their personal lives. It may sound shallow, but I used to feel extra special sharing rare trivia with friends that were fellow fans. Okay, so times may have changed and thanks to the internet and reality TV, even the biggest stars tend to share details of their lives to the point of over-saturation.  Nevertheless, I still thought it'd be fun to gather a little somethin' somethin' from some of Pinoy Hip hop's most-loved MCs and Producers*.

It's fun to be able to take a trip down memory lane with people you admire - being able to discover what makes them tick, what they were about before they did music or perhaps what they currently do aside from music. I suppose it can help a listener understand why they follow these personalities on a deeper level.

---------------------------------

Read on to learn quirky things about these top cats:

Type Slickk of Mastaplann

Type Slickk - Mr. Resourceful
In all the years that I've been involved in music (20+ years), I've never owned a Technics 1200 turntable. Even though I started off DJing, I could never afford a 1200 back in the day. I'm pretty resourceful though, so I was able to make do with whatever cheap turntable I had at the time; I was even using my little sister's Fisher-Price knock-off turntable to scratch and I made it work. Granted, the only battles I had were against the belt-drives. Funny thing, right before we went back home in 1990 to start on the whole Mastaplann journey, I was about to buy a used 1200 from a friend, but we left and my brothers ended up buying it. Now, they're world-class DJs with the group Handroidz...everything happens for a reason right? Throughout the years, someone I knew always had a 1200 so I never felt the need to actually buy my own. Anyway, right now, I have a "vintage" SL-1400 with knob-style pitch controls and the speed seems to fluctuate whenever it feels like it. But again, I make it work. I think I got it from my brother. I'm pretty sure I'll get a 1200 one of these days. I'll let you know when I do (laughs).

JedLi of People's Future

JedLi aka Mr. E - Church!
I used to sing in the church choir back in the day and that was one of the first things that influenced me to make beats. 

Gloc9

Gloc9 aka GOLEM
My nickname nung bata pa ako ay Golem. Not sure why, binansag lang sakin ng Uncle ko (laughs).


Ruby Ibarra - Eclectic Ear!











Ruby Ibarra

One things that people may not know about me is that I have a very eclectic taste in music. My "gritty" raps truthfully don't reflect my taste in music as a listener since I like to bump anything from Wu Tang Clan to Backstreet Boys to Nicki Minaj to Phil Collins!









Switch of The Mighty Miscellaneous

I am Filipino-Japanese and my Oba-san (grandmother) made me watch the classic 1988 animated fantasy film, Tonari No Totoro everyday. It's my favorite cartoon movie of all time.

To know more about Switch's favorite cartoon flick: http://en.wikipedia.org/wiki/My_Neighbor_Totoro

Switch - Anime Fanatic!
Chrizo


What people may not know, is that in the early to mid-90s, I was part of a [grunge] garage rock band called The Ill Advised where I actually played a little bit of everything.

Chrizo - Rock On!
Knowa Lazarus of Q-York

Knowa Lazarus - Won the battle vs. Asthma
I was born with Severe Asthma and was told by doctors I'd never be able to play sports or be an athlete.  I'd play basketball and run everyday, coughing up from my lungs with my inhaler. My lungs eventually got strong enough and I overcame my illness after a few years of persistence. Yuoy!

Aero.
Aero. - Cookin' something up

I enjoy cooking and I plan to take up Culinary Arts - MC also means Master Chef!









Rjay of LDP


I never stop writing songs!  
 
Rjay aka The Deranged Poet - Lyrics 24/7
                                                                                                                     
ILL-J
ILL-J - Started with "The Man in The Mirror"

I'm a frustrated Rn'B singer, but I can dance just like Michael Jackson (laughs)!

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*There will definitely be a continuation with other amazing hip hop stars when more answers come in...

Tuesday, August 9, 2011

Chrizo presents...ILLustrious (ILL) Labs

"I think it's high time that we set this up and for our passion to produce something more lucrative."

All photos courtesy of Hannah Seneres-Francisco

Chrizo is one of those people that has a clear-cut stand on his goals, beliefs, and values.  With that, he is able to thoroughly and effortlessly express himself in an unfiltered manner - whether it be through speech or through his making of music. Nevertheless, he is able to maintain a boy-next-door persona and is highly approachable, even when you're meeting him for the first time. I suppose that's what makes working with him easy breezy.  He's serious about music and he knows how to get down to business, but he has you at ease throughout the process.

Chrizo's first studio, The Chop Shop, was set up back in 2003.  So for the past 8 years or so, in his home studio, the beat genius was able to produce an array of notable hip hop albums such as: his sought-after mixtape Thinking Man's Hip hop, acclaimed compilation B-Sides, ILL-J's award-winning The Journey & Logic for Reason, and collaboration with Marquiss G.R.A.E. (Greatest Rap Album Ever) to name a few.  This year, he felt it was time to expand his horizons with respect to a more formal, business environment, the services/capabilities of his studio, and range of clients.  Thus, the establishment of ILLustrious or ILL-Labs.

From the video editing suite overlooking the audio and receiving areas 
Read on to learn more about this fresh, creative space and why you might want to be an "ILL" client through my 1-on-1 with Chrizo:

The view from the booth. Pretty nice view indeed.
The Hip hop in Her (HH): 'Illustrious' is defined as distinguished, worthy of recognition while in hip hop terminology, the same can be said about 'ill'. How does this depict your studio?

Chrizo (CH): What we'd like to accomplish is a great first impression. Like you said 'illustrious' can also mean 'famous' so more than just appearances, we aren't exactly famous, but we would like to live up to our name and build a reputation.

HH: What made you want to make the transition from The Chop Shop [home studio] to ILL-Labs [for commercial use]?

CH: First of all, The Chop Shop was just in my home so there was this sigma of "bedroom producers" that I wanted to do away with.  Also, it was harder for people to go all the way to the house in Las Pinas whereas this studio is somewhat in the middle of the business district and is more accessible to people.  It also pushes me to really work, because it is more of a professional set-up now together with Chano [main video editor].  We really have to report to work, clients have to be seeked out, we have to pay bills.  Unlike before, with The Chop Shop, I could just wake up and go down to the studio while still in my boxers so it takes a big part out of the complacent or comfort zone.  I think it's high time that we set this up and for our passion to produce something more lucrative.

HH: Describe some competitive offers.

CH:  Well, we're not really gonna be predatory to other studios, because we respect and understand that we are just starting out.  So we really don't want to encroach on gigs of studios that have been around longer.  But, what we can offer is a thorough understanding of what the client wants and needs, comfort while they are here, and efficiency with respect to getting done what they need done in a competitive amount of time.

HH: You're responsible for production for a number of top hip hop artists, what advantage/(s) does one get out of working with Chrizo's studio?

CH: Actually, that's the difference between The Chop Shop and this studio, because The Chop Shop was all about hip hop, beats and rhymes.  Here, there will be a plethora of so many other things aside from hip hop.  I have my reputation as Chrizo and easier accessibility, but in terms of what can get done is a lot broader.  Like now there's video editing, 'cause me and Chano are a tag team and we can break out into so many other fields like films, commercials, music videos, etc.
"Chrizo magnifico in the lab, we just chillen'..."


HH: How important are audio to visuals? Visuals to audio? Why was it important to now include services for both?

CH: Well those 2 really compliment each other.  You can't really see music until it has a video.  It brings life to the expression.  So they're equally important depending on where you're coming from.  For me, music will always be my main focus and I'm lucky enough to be able to join forces with Chano who can compliment what I'm doing.  We're looking forward to linking up with our friends and peers with like abilities.  This business is not just about friends, but it is nice to be able to come together with these people that we have camaraderie with that can also help us push our passion forward.

Tag team - Chano and Chrizo


Video editing suite

















HH: You're also connected with Powerbelters Performing Arts & Music Center (voice & stage performance training) so aside from professional artists, will you have friendly rates for and will you be producing these aspiring artists too?

The unique, "ILL" recording booth
CH: Yes, in fact we fully understand because we, too, are just starting out.  To be fully known on the market, we really do have to have friendly rates and services that suit different types of clients.  As I mentioned before, with The Chop Shop it was all about beats and rhymes, but now we are prepared to collaborate with artists that are not necessarily from our genre.  We are fortunate enough to be in the position to cater to completely different musical projects like jingles, ballads, what have you.  We're definitely willing to accept the challenge.

HH: Okay, but for those that actually want you to make your mark on their music; what should they know about your personal musical influences and style?

CH: My influences clearly reflect on the music I make.  I grew up listening to a lot of DJ Premier and Pete Rock.  My style is boom bap through and through.

HH: Is it still important in this day and age to have demo material to pass to label execs and the like? Or would you suggest that post-prod include direct upload to networking sites? What is your take on digital marketing strategies and how would you address the same?

CH: I'd say that there are a lot of factors in the industry that can't be controlled and I think what is out of everyone's control is how much music has evolved.  The labels have gotten smaller and though I still think they're good to an extent, now in the digital age, artists have the chance to make it on their own.  Whether it be through manufacturing their own albums or putting themselves on youtube; the artist is a machine on its own.  So I still think its worth a shot having a demo ready for labels, but in some special cases, the artists can help themselves more than the labels can help them.  So it's up to them how they want to market their product.  That being said, we would definitely like to help artists make their demos (laughs).  Or whatever material they need. It has to be said that this team has had a lot of experience in previous years dealing with internet marketing and backpacking our own music so for any upcoming artist, if and only if they need our consultation, we would gladly guide them accordingly.  We won't tell them "this is what you should do", but we will lend a hand in the best way we can.

Receiving/merchandise area. Artists can actually consign their material at ILL-Labs

HH: They say that if you love what you do, you'll never work a day in your life. Do you think this does/will apply to you?

CH: That is very true.  It has, does and will apply to me.  Though I do technically really have to work now that this is an official business, I'm blessed with a team that has as much passion as me and that we're doing something that breeds creativity.  Before, when I was teaching English to Koreans, everyday, I would be bored out of my mind and watching the clock.  Truth be told, I actually tweeted a week before that job wrapped up: "I'm giving up my job to pursue music for a living" so it's amazing how things work out.  Now it's really happening.  There's a huge difference now, because even if I report early and have to stay all day, I don't even notice the time.  Like how I mentioned before this interview began, "What? It's 5[pm] already??"

A chilled out, ambient atmosphere

HH: So you'll be doing an official launch very soon (details TBA), perhaps you can leave readers with some final words about the "illustrious" journey ahead.

CH: Yeah, for sure you can expect ILL-Labs to be a beehive of activity.  On behalf of my team, I'd like to say that we are excited about growing with old and new clients, about getting better, and about continuously expanding our range of services like perhaps actually producing videos and not just post-production.  Again, we hope to live up to our name and impress clients with our hard work coming from passion. Thanks! [f]

Chrizo, during his interview with The HinH

ILLustrious Labs is located at Unit 201, 1986 Taft Office Center, Taft Ave. cor. Gil Puyat, Pasay
Inquiries can be made through Chrizo: 09165755763 or chris.seneres@gmail.com

Wednesday, July 13, 2011

The Do-Over: A First in Manila

This month, B-SIDE will host the Manila edition of The Do-Over, the epic Sunday afternoon sessions of good music, good vibes and unifying the masses.  "All styles and all smiles" reminiscent of those comforting Sunday BBQs in the fam's backyard and house parties with the peoples combined.  That kind of thing. Established by Chris Haycock, Jamie Strong, and Aloe Blacc in LA back in 2005; The Do-Over has acquired wide recognition and has even been referred to as "the best party on the planet" by the legendary DJ Jazzy Jeff.


It's happening on a Saturday for us, July 23rd to be specific, from 3pm-3am (well, that ends up technically being Sunday) so mark those calendars.

Now, you'll notice that aside from the brainchildren behind The Do-Over, the poster remains enigmatic about the rest of the line-up.  However, I took the liberty of getting the 411 for my beloved readers.  Word on the street is that DJs will include Rhettmatic, Bugz in The Attic, Shortkut, Rye, Don P, Red-I and Soulflower whereas performers will include ILL-J, Picoy, Miscellaneous, Caliph8 and Malek and Noodle Experience.  Crazy goodness indeed.

Do not sleep on this event. This is history in the making right here.  The Do-Over: A First in Manila.

For more info, log on to www.blog.thedoover.net.  Let me leave you with this video that'll leave you bouncing-off-the-walls excited:



Thursday, July 7, 2011

I Fell in Love Through My Ears...

"A man falls in love with his eyes.  A woman falls in love through her ears". -Woodrow Wyatt


I'm not going to tell you about when Hip-hop took my heart.  See, it didn't take a day nor even a week, month or year.  Instead I'm going to tell you how.  It penetrated me to the very core over a period of time and once I began listening deeper and deeper, I was convinced that it would be not be a whirlwind romance.  As I lived through my growing glories and pains, Hip-hop had listened back.


I took to a pen and pad at the age of 14 and though I always second-guessed myself with each verse, I was determined to make a worthy contribution.  It wasn't a few years until I was ready to let others hear and soon enough, I had camaraderie with some underground heads.  Things started to happen for me at both a critical and vital time.  I was growing with people that allowed me to be exposed to an eclectic mix of music, which wasn't always made available to my ears on the radio or perhaps I had just been too ignorant about.  It even allowed me to appreciate my parents' musical preferences from their upbringing (which I had formerly shunned), because they were undeniably hip-hop's roots.  I was fascinated and absorbed the very essence.  


Fast-forward a few more years, at the age of 17/18 and I found myself high-speed rolling with an already established hip-hop/rn'b group.  Y'know, this little ol' group called 7 Shots of Wisdom.  Well, let's just say that it was the good, the great, the bad, and the worst.  That many personalities made to work together daily plus young mind-states? Chaos was inevitable.  Nevertheless, at the end of the day, despite our lack of control over our moves and collectively committing mistakes to the nth power, it was a life-changing and thrilling run with talented individuals that I had the opportunity to fly high with.  5 things that cannot be taken away from this experience: 1) I was launched into the industry, 2) Our music touched many, 3) I learned the business side of the game, 4) I met my husband (definitely can't take that one away, that's forever), and 5) I wouldn't be who I am today without them - mind, body and soul.


Post-group, I did take a breather, but I also took chances in lending my vocals to tracks by other artists and eventually, my flame for writing and making music was reignited.  This was around the time that I was a college student under the Bachelor of Arts - Major in Music Production program at De La Salle University-College of St. Benilde.  My course enabled my connection with the fundamentals and provided me with the ability to observe and be a part of what goes on behind-the-scenes.  I was a listener and learner once more and I thrived in that position.


Moreover, this was also when I joined with my current manager, Jigger of LockedDown.  He not only patiently (more patiently than you'll ever know) walked me through the path of a solo artist, but also guided me on how to extend what I knew unto others.  I decided that not only did I want to make my own moves, I wanted to assist others in their musical ambitions too.  Thus, he blessed me with a LockedDown imprint label called Dope Love Records roughly 2 years ago.  Within the same year that it was established, the first album by People's Future titled Headlines Issue#1 was released and notwithstanding the bumps in the road, it brought me joy beyond words to be able to play a part in this endeavor.


I believe that now brings me to present day.  I, who tend to be a hip-hop hermit, because "life is what happens when you're busy making other plans".  It's as if Hip-hop had become an old home; one that I had always kept, intended to keep visiting and at times still live in.  When in reality, I should be home to my own Hip-hop.  


I will always have it in me to produce music, for release or not.  But when I'm not doing that, I want to remain steady aware and listening to all the magic out there.  Let me listen to your music and I will be a medium to let others listen too so that they may fall in love through their ears, as I did.